Home and Family in Literature and Life

Do we ever really think about what first piques our interest in a particular subject? Whether it’s history or science or literature or society or food, we tend to generalize our initial interest in a topic or hobby – “it was in my early 20s” or “sometime in my youth” or “when I heard about it from a friend.” But do we really think through the very thing that truly led us to want to learn more, do more, and find more out about something that intrigued us? And do we stop to wonder why?

So you like military history; okay, what was it that first attracted you to it? Why? Was it because you have a personal connection to it, through your own experiences or via a family member or friend, or is it because of a particular incident in history that calls out to more strongly than others? Or say that you really got into sculpting. Is there a specific work or artist that inspired you? A reason you wanted to sit down and build something with your hands?

As I’ve spent the last two and a half years exploring what I want to do with my life and reflecting on my various interests and hobbies, I’ve noticed a few recurring themes and connections. I’ve especially noticed this when I think about my favorite books, authors, and stories over the years.

Jane Austen. Laura Ingalls Wilder. Lucy Maud Montgomery. Louisa May Alcott. Ginny Dye. Jan Karon.

Okay, they are all women writers. And with the exception of Karon’s Mitford series, they all wrote in or write about times past; “period” literature, as some may call it. We’ve got the Edwardian era, Civil War and beyond, pioneer times, and turn of the century and WWI. But it’s more than that – a lot more than that, I’ve recently realized. In all of these authors works, there is one thing that stands out loud and clear, when I really think about it: the importance of home and family.

It’s kind of an aha moment; these are two of the most important things in my own life, and two of the things I most enjoy writing about myself. A coincidence? Likely not.

As Janeites know all too well, Austen’s novels aren’t exactly filled with adventure and crazy plot twists. She used everyday happenings and personal dramas from the family home and that of close neighbors and friends to create witty, romantic, and realistic stories of life in Regency England. Laura Ingalls Wilder shared the mundane and sometimes frightening details of prairie life, as her family moved from house to house to house, but always making it home. Montgomery’s series about a lovable red-headed, precocious orphan girl named Anne who was adopted by an elderly couple on Canada’s Prince Edward Island is all about family and home. Alcott’s Little Women is based on her own family and their struggles in the mid-1800s New England, and her other books all have a strong sense of family, centering on spirited, smart, and self-reliant young women. Karon’s series about a small-town pastor shows us the comical, joyful, and sometimes sad lives of Father Tim and his friends in the quaint town of Mitford. And Ginny Dye’s historical fiction series, The Bregdan Chronicles, features an entire cast of fiercely loyal, passionate, and ambitious family members and friends – black and white, former slaves and masters – that continue to call a Virginia plantation home base even after the Civil War has ended.

I’d be silly to not also notice that all of these authors’ works intrigue me because of their portrayals of resilient, independent, ambitious, and compassionate women, with a drive to do something more and be something more in their world (in the Mitford series, this comes through with Father Tim’s wife, Cynthia). While they are all extremely devoted to their families and to creating a sense of home, wherever they are, they also feel a calling to explore beyond their boundaries — both physical, and the ones placed on them by society because they are women.

In Pride & Prejudice, Elizabeth Bennet knows she must marry, but she is not about to settle for the first man that shows her attention or that her mother sends her way. It takes time of course, but ultimately she chooses a man that will make her happy as well as comfortable, and all the while, she’s pushing for her sisters and friends to make their own choices as well. In Little Women, Jo March leaves home and an opportunity to marry her best friend to become a writer, and ends up meeting an older man who challenges her mind as well as her heart. And in The Bregdan Chronicles, Carrie Cromwell fights convention and risks her life by first freeing her father’s slaves, then by attending a women’s medical college up north, leaving her husband, family, and friends behind (temporarily).

These themes, which often fight against one another as much as they work together, have come up often in my own life – especially so in the last couple of years. My intense desire to be independent, to explore the world around me, and to pursue my passions keeps my mind and my heart constantly churning, constantly looking for what’s next and how to get there. Yet at the same time, I’m pulled home, to my parents, to my family in Louisiana, to a stable and comforting environment that brings me joy and peace. I yearn for a companion and prefer structure and routine, yet feel I am meant to do more and be more – for myself, if not for anyone else. I don’t like feeling stuck, yet I stick to safe routines and lifestyles because it’s easier, or less intimidating. Finding the balance is what I keep coming back to – what IS the balance? What IS the combination of home and family and a life of adventure and exploration that I’m looking for, and how do I find it?

For now, I’ll keep reading and continue learning. Perhaps some of the answers will come from the authors and characters that I’ve loved for so many years.

Have you noticed any themes in your favorite books from over the years that go deeper than genre? Are they relevant to your own life?

A whole new look at Louisa May Alcott

“…I often feel as if I’d gladly sell my soul to Satan for a year of freedom.”

So states the fair Rosamond in desperation, in the opening line of Louisa May Alcott’s A Long Fatal Love Chase. One of many manuscripts the author, best known for Little Women, wrote to help pay her family’s bills in the mid-1800s, the novel was considered so “sensational” it was not published until 1995.

A thriller from the writer who brought us the Marches, a semi-autobiographical classic that then led to follow-up novels in Little Men and Jo’s Boys? The same writer who penned heartwarming coming of age stories like An Old Fashioned Girl and Eight Cousins?

Yes! When I picked up this book at the library, I wasn’t sure what to expect, even though I’ve always loved Alcott. “Sensational” and “thriller” aren’t exactly adjectives that come to mind when I think of her writing, and as I read the book, I realized they also meant very different things in the 19th century than they do now.

The basic premise is a young girl trapped under her grandfather’s care on an island off of England. When one of her grandfather’s friends and pupil shows up one stormy night, Rosamond is enchanted by this supposed knight who promises to show her the freedom and adventures she desires, and take her away on his yacht. But little does she know that this man has a dark past, and it will rear up to cut her happiness short, leading to a chase around Europe as she searches for protection and friends, and he tries to win her back, through a mix of passion and devious pursuit.

Every time I thought things were about to be okay again, Alcott surprised me with another twist, so I couldn’t put the book down, and it took until the very end (spoiler alert: no happy ending here!) for the story to wrap up.

Now that I’ve read this, I’m interested in reading some of Alcott’s other works in this genre. It actually is fitting since when she first began writing stories for her and her sisters to perform, and later to sell, they were full of pirates and deceptive characters and dark romantic twists.

Has anyone else read A Long Fatal Love Chase? Are there other authors you like that have lesser-known works in a different genre that you liked or didn’t?

Next on my reading list: Alison Weir’s Captive Queen, a story of Eleanor of Aquitaine and Henry II.